Discussion about this post

User's avatar
Robb Grindstaff's avatar

And a side note to everyone commenting: First, thank you! Second, I try to practice what I preach, and that is to not respond (other than 'thank you') to any feedback until I've had a chance to read and think about everyone's input, let it all settle, see what resonates. I can tell you that everyone so far has said something that resonated, including some potential issues that in my "head" I knew were issues but my writer's "heart" kept saying, "No, it's perfect the way it is." ha!

Expand full comment
Back Porch Writer's avatar

Thank you for sharing your story, Robb. I appreciate the trust you've shown us.

I want to state first that I think I may not be the target audience for this tale, and my comments reflect my own tastes and opinions.

- What could be better? The opening paragraph peaked my interest, but I'd like to know more of the setting, stakes, and goals as soon as possible in the story.

- What didn’t make sense? I didn't understand that these were the last people the viewpoint character had seen in hundreds of miles. It started out seeming like a run down diner in a small town after dark instead of the end of times.

- Any spots where you got confused? At the start, I didn't understand what the viewpoint character had faced before entering the town. I didn't know what conflict he was facing or the stakes until the last few pages.

- Or, of course, was there something particular about it you liked? The description really gave a sense of the diner and the people's external condition to the extent of the character's ability to perceive.

- Description: The description doesn't seem to cover many of the senses beyond visual and olfactory. The smell is mainly coffee. I didn't get much of a sense of rough versus smooth or humidity versus dry in the story. This is a major problem I have in my own stories, getting as many senses as possible in a story.

- Voice: I get very little sense of the viewpoint character's voice. I'm not really in his head or getting enough dialogue to understand his voice.

- Emotion: Very little emotion throughout the story, for me, as the reader, to connect to. If it's the end of the world, are there any other emotions than despair? It was like there was a pane of glass between me and the characters.

- Dialogue: The characters seemed to be talking at each other more than to each other, with little emotional connection. It's totally natural for their situation, with a stranger come to a group of survivors, but it didn't help me to connect with the characters or understand them better.

Sadly, my connection with the story and characters was affected by my preferences. I like action/conflict from the beginning and more uplifting stories with hope even when the characters go down fighting. The story really captured the despair folks would face in this situation, but I don't enjoy had a hard time connecting with the characters.

Finally, I understand that the story was a prisoner of the word count, but it seems incomplete. I don't think that the viewpoint character reached a resolution to the story conflict, which leaves me wondering what comes next? Do they all die? Do they find a way to reach others? Do they learn what happened to everyone else? It felt incomplete to me.

Thank you for sharing, Robb, and please forgive any harshness in my critique.

Expand full comment
10 more comments...

No posts